Matrix of Dreams and Illusions merge with Real and Genuine the Divine ?
Matrix of Dreams and Illusions merge with Real and Genuine
Spirits unrealThe fire matrix
What is the Matrix? matrix for starters is a movie trilogy that was released into theaters in March of 1999, with part The s 2 &3 released in May and November of 2003. 1. At every stage of your life, you will be presented with various choices. Your life boils down to the choices which you make in the course of your life. You have to make the choices very carefully, so that you don’t regret them later on in life.
2. You have to believe firmly. If you believe that something will happen, and your belief is so damn strong and intense, then that “something” cant help but happen. So believe truly and firmly in all that you think and do.
3. Know that whatever events happen in your life happen for a purpose.You just need to know the purpose and learn whatever it has to offer.
Kollur Mookambika Kshetram – This Temple of Wisdom is more than a destination. The Abode of ” Maha Kaali – Maha Laxmi – Maha Saraswathi ” Trinity in One Manifestation !
Muthuswamy Deekshitar
Carnatic music has been endowed with thousands of compositions by a galaxy of composers, many of whom are today revered as saints. Among the most prolific are
Purandara Dasa (1480-1564);
Annamacarya (1408-1503);
Tyagaraja (1759-1847);
Muddusvami Dikshitar (1776-1827);
Syama Shastri (1762-1827).
The last three are known as the Trinity of Carnatic Music for the profound and indelible impression that their works have had on the modern understanding of Carnatic Music.
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Compositions in Carnatic music possess multiple dimensions: Trinity of Carnatic Music
The aesthetic dimension refers to the melodic value profferred by the raga and its concerted usage with the lyrical dimension;
The lyrical dimension encapsulates the meaning intended by the composer and the religious value of the lyrics, or sahitya
The prosodical dimension describes the technical value associated with the poetic metre;
The rhythmic dimension captures the organization of the sahitya and prosody according to the composition’s tala.
Some compositional forms in Carnatic music include the varnam, the kriti, the tillana, the javali, and the padam, some of which were derived through the intimate relationship between Indian music and Indian classical dance.
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Each of the innumerable ragas of Carnatic music is defined by rules of usage of its notes including the permissible and forbidden manners of ascent and descent, the aesthetics of transitioning between notes (gamakas) and their relative prominence.
Time is measured according to beats or beat cycles known as talas.
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